Moneyball
Rating: 8/10
Cast:
Brad Pitt, Jonah Hill, Philip Seymour Hofman
Director: Bennett Miller
It's Oscar potential for Brad Pitt with this latest film about
baseball. (Even though it's scored nominations in other awards
ceremonies, it's yet to hit the trophy gold).
But before you roll your eyes and get out your sports movie
cliché bingo card for the inevitable cinematic moments
(locker room chat, slow mo shots etc), this is one which is
actually a good solid watch. Although those clichés are
present and correct, in case you're worried.
It's 2001 and Pitt stars as Billy Beane, failed former baseball
prodigy and now general manager at the Oakland Athletics team. When
another loss to the New York Yankees sinks the team, Beane's forced
to recruit some new players as his big hitters are being poached by
other major league teams.
Sick of being, as he terms it, an organ donor for the other sides,
Beane ends up meeting Peter Brand (Jonah Hill, in a watchably
restrained and quiet performance) who believes major players are
overpaid, and that there's a league of underused players who
actually perform better when you look at their statistics rather
than their showy team mates.
So, with nothing to lose (cliché bingo, anyone?) and despite
his advisors disagreeing, Beane tries this strategy for the new
season.
Unsurprisingly, in the face of staunch opposition from everyone,
the method doesn't work out and the Oakland Athletics fare worse
than hoped.
Suddenly, Beane and Brand find themselves the outsiders of the game
- and facing uncertain futures in the wake of dismal
results&
Moneyball features a winning performance from its two leads - and
its director also. It doesn't fall into the usual trappings of a
sports film as it's really about the mentality and statistical
mindset of the sport rather than what unfolds out on the pitch (or
diamond if you will).
But it's the turns by Hill and Pitt which make this ever so
slightly overlong film so watchable; Hill gives a quiet and dialled
down performance which makes him feel real rather than a
character.
Likewise, Pitt has energy and spikiness but he channels that into
making Beane feel a flawed and yet rounded character - and in the
one scene when he's negotiating three contracts on three different
phones, you find out everything you need to know about this
character.
At the end of the day, while Moneyball is your traditional underdog
sports film in many ways, it's probably one of the more intelligent
offerings into the genre and will hopefully score a home run
(sorry) for its actors when awards season is upon us.
Moneyball: Movie Review
Published: 3:19PM Friday January 20, 2012
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